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DJI Phantom 4 Quadcopter

Ready to fly Aerial Filming Rig

DJI Phantom 4 Quadcopter


A sleek new design with magnesium unibody construction, obstacle avoidance sensor, dynamic range enhancing video modes, and a two-point-of-contact gimbal mount are just some the features DJI have introduced with the Phantom 4 Quadcopter. Thanks to improvements in efficiency as well as its intelligent power management system, the quadcopter boasts up to 28 minutes flying time. Its camera shoots DCI 4K (4096 x 2160) video at 24/25 fps and UHD 4K (3480 x 2160) at up to 30 fps. There is also a 120 fps mode in 1080p resolution for slow-motion effects. The camera will also take 12MP still photos in either DNG RAW or JPEG, with single shot, HDR, burst, and time-lapse modes to choose from.

 

 

Maximum Speed

 

65.6' per second / 20 m/s (Sport mode) Ascent: 19.7' per second / 6 m/s (Sport mode)

Descent: 13.1' per second / 4 m/s (Sport mode)

Maximum Altitude

Above Sea Level: 19,685' / 6000 m Above Takeoff Point: 400' / 122 m (Software limit)

Hovering Accuracy

Vertical: ±0.3' / 0.1 m (when Vision Positioning is active) or ±1.6' / 0.5 m

Horizontal: ±1' / 0.3 m (when Vision Positioning is active) or ±4.9' / 1.5 m

Flight Time

28 minutes (depending on conditions)

DJI Phantom 3 Professional Quadcopter: 4K Aerial Video

Ready to fly Aerial Filming Rig

DJI Phantom 3 Professional Quadcopter: 4K Aerial Video

We offer aerial Filming in and around Bangalore, Karnataka, Tamil Nadu and Kerala for Advertisements, Feature Films, Documentaries and Corporate Videos.

Answer for who does aerial filming and aerial shooting at Bangalore. An aerial film making company in Bangalore and best offers for aerial film-making. Experts in Aerial film making at Bangalore with more than a decade of experience in Filmmaking and Drones.


Take to the sky and capture your world in beautiful 4K. The Phantom 3 is an easy to use, fully integrated package with an intelligent system.. 

Imagine amazing, immersive footage at your fingertips. Imagine capturing content fit for the big screen, with crisp images, beautiful resolution, and vivid colors. With an integrated, stabilized camera, we  brings your imagination to life.

With sensitive control sticks, dedicated buttons, and real time monitoring of footage, this gives you a completely new way to capture aerial footage.

 

 

 

 

 

On-Board 4K Camera

The included camera system features video recording at up to 4K30 (4096 x 2160) in H.264 and also takes JPEG and DNG RAW photos at 12MP. 
The camera mounts via an integrated 3-axis gimbal that provides stabilization as well as pan and tilt control. Media is recorded internally to a microSD card 

Video Resolutions and Frame Rates
DCI 4K (4096 x 2160): 24p, 25p

UHD 4K (3840 x 2160): 24p, 25p, 30p
1080p (1920 x 1080): 24p, 25p, 30p, 48p, 50p, 60p
720p (1280 x 720): 24p, 25p, 30p, 48p, 50p, 60p

The camera features a 94° angle-of-view lens, which is a narrower angle than a fisheye for less distortion while still being wide enough to enable capturing establishing shots. The lens features an f/2.8 aperture and is comprised of 9 elements, including an aspherical element.

Canon EF 200-400mm f 4L IS USM

Super Telephoto Lens with 1.4x extender

Canon EF 200-400mm f 4L IS USM

Designed to satisfy the discriminating needs of sports and wildlife photographers, the EF 200-400mm f/4L IS USM Extender 1.4X is a high-performance super telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility. With a simple flick of a switch, the zoom range can be quickly increased to 280-560mm (f/5.6). This capability is extremely useful in applications where it is not possible to change lenses quickly, while also protecting delicate equipment such as a digital SLR camera's image sensor in environments with dust and high humidity.

The EF 200-400mm f/4L IS USM Extender 1.4X incorporates one fluorite and four UD lens elements, which provide excellent correction of chromatic aberration throughout the entire zoom range for professional quality images with high resolution, contrast and color fidelity, while a 9-blade circular aperture helps deliver beautiful, soft backgrounds. It utilizes inner focusing, ring USM, a high-speed CPU and optimized AF algorithms for fast and accurate autofocusing. And, with Power Focus mode, focus shifts are quiet and smooth, which is essential for filmmaking.

 

Edelkrone SliderPLUS V2 Medium

Edelkrone SliderPLUS V2 Medium

The SliderPLUS V2 Medium from edelkrone is a slider that uses a unique tracking mechanism that allows the rails of the slider to move with the camera when mounted on a tripod. This gives the slider 24" of sliding range in a unit that is only 17.2" long. Its compact sizes makes it ideal for travel, as it takes of up less room in your camera bag than other sliders with a similar sliding range. The slider supports loads up to 13.2 pounds.

The tracking system works by having two thin bands that are connected to each side of the mounting plate and base plate. When placed on a flat surface, the base plate travels in the opposite direction of the mounting plate. This will yield results of traditional slider. To take advantage of the design, the SliderPLUS V2 needs to be mounted to a tripod. When mounted on a tripod, the movement of the base plate is restricted, causing the rails to move through the base plate in the same direction as the mounting plate.

With traditional sliders, you're often limited to the amount of dolly in/out you can do, because the slider itself usually will end up in the shot eventually. With the SliderPLUS V2, the rails are also retracting backwards with the camera, allowing for longer dolly in/out shots. A lock mechanism can be engaged to keep the slider from moving if the tripod becomes unlevel.

The slider provides a 3/8"-16 threaded hole at the bottom of the base plate for attaching to tripods, and comes with interchangeable 1/4"-20 and 3/8"-16 screws for mounting a camera or flat base tripod head to the mounting plate.

  • CNC machined aluminum construction
  • Steel ball bearings
  • 1/4"-20 and 3/8"-16 threaded screws
  • 3/8"-16 threaded mounting hole
  • Adjustable feet for use on ground or flat surfaces

Sigma 300-800mm F5.6 EX DG APO HSM

The Ultimate Telephoto Zoom

Sigma 300-800mm F5.6 EX DG APO HSM

Sigma’s APO 300-800mm F5.6 EX DG HSM is another unique lens in the line of Sigma offerings. An ultra telephoto as no other camera or lens manufacturer offers the serious photographer! Featuring a constant aperture of F5.6 throughout the entire zoom range, this lens is ideal for photographing wildlife when there is no way of controlling the distance of the animal to the camera.

With a simple turn of the zoom ring, the photographer can instantly adjust the composition of the image without moving or disturbing the subject. Similarly, the zoom accommodates sporting photography such as soccer or surfing where the rapidly changing distance of the action requires massive changes in focal length in a matter of seconds. Two SLD (Special Low Dispersion) glass elements provide optimum color correction & sharpness throughout the entire zoom range. At the rear of the lens, a drop in 46mm filter holder is provided so that the photographer can easily add inexpensive color correction or light balancing filters.

 

 USED CANON FIT SIGMA EX DG 300-800MM APO HSM F5.6 ZOOM LENS

The use of Apochromatic design and 2 ELD (Extraordinary Low Dispersion) glass elements give full correction of chromatic aberration and provide a high level of optical performance. The AF drive for the Canon EOS, Nikon and Sigma mounts are equipped with the silent, responsive and high speed Hyper Sonic Motor and provides fulltime manual focus override.

The improved DG lens design corrects for various aberrations. This lens is specially coated to get the best color balance whilst cutting down on ghosting caused by reflections from the digital image sensor. The lens provides the utmost correction against lateral chromatic aberration, which is a serious problem for digital SLR cameras.

It is also possible to use this lens with Sigma 1.4x EX and 2x EX Apo Tele Converters to convert this lens into an ultra tele-zoom lens, effectively converting it into a 420-1120mm f/8 or 600-1600mm f/11 lens.

 

Abel Cine: HDx35 Mark II B4/PL Optical Adapter

Abel Cine: HDx35 Mark II B4/PL Optical Adapter
The HDx35 mk II is an optical adapter that enables B4-mount 2/3” HD video lenses to work with most Super-35 format large sensor cameras. The Mark II system has increased coverage to work with more cameras, and now includes the Universal Mount System.

Broadcast lenses are available in high zoom ratios with wide apertures in a relatively compact size, making them a desired option for many large-sensor camera users. Designed and built by IB/E Optics for AbelCine, HDx Optical Adapters mount between a B4-mount 2/3” lens and a large sensor camera, expanding the projected light to cover the image area.


HDx Optical Adapters increase the focal length of the attached video lens so that the expected field-of-view of the lens is maintained on the larger format sensor. The depth of field of the image will be closer to that of the larger format.

All HDx Optical Adapters optically correct for the different spectral alignments between three-chip prism block sensors, for which the B4-mount lenses were designed, and the single sensor of the large sensor cameras. HDx Optical Adapters are highly telecentric in design, delivering a bright, sharp image across the entire frame, with excellent color and contrast.

The HDx35 mk II adapts from B4 to a Universal Mount System, which allows the HDx35 mk II to be mounted on a wide variety of large-sensor cameras without shop service. It ships standard in ARRI PL, with available adapter mount options including Canon EF, Nikon F, Sony E, and Micro Four-Thirds. The Mark II 
includes a 3/8-16 threaded hole and two posts for lens support. 

The HDx35 Mark II expands a B4-mount lens image by approximately 2.7 times, 

Canon EF 500mm f/4.0 L IS USM

Super image quality telelens

Canon EF 500mm f/4.0 L IS USM

A super long focal length is the biggest attraction to the Canon EF 500mm f/4.0 L IS USM Lens and where the product category gets its title. Super image quality and sharpness are highly notable features. Super size might be a downside (unavoidable in a lens with the Canon EF 500mm f/4.0 L IS USM Lens specifications). A super high price is not welcomed by most.

 And super-focusing. Utilizing Ring USM (Ultrasonic Motor), the Canon EF 500mm f/4.0 L IS USM Lens focuses very fast, very accurately - and very quietly. FTM (Full Time manual) focusing is enabled. A 3-position focus limiter switch allows focusing distances to be limited to a specific distance range (4.5m to 10m, 10m to infinity, 4.5m to infinity) - or to be unlimited. Limiting the focus distance range can improve focus lock times and reduce focus hunting.

Autofocus Stop buttons (near the objective lens) allow autofocus to be temporarily stopped. This feature is handy when tracking action in AI Servo mode and one-shot-style focus is needed for a specific situation - perhaps a focus-and-recompose portrait of a motionless person, bird, landscape or other subject.

The Canon EF 500mm f/4.0 L IS USM Lens is equipped with a Focus Preset feature. Set the Focus Preset to a specific distance - when your shooting needs require that specific distance, simply turn the white knurled playback ring on the end of the lens. Autofocus Stop buttons near the objective lens allow autofocus to be temporarily stopped.

 
 

 

Sony Alpha a7S II Mirrorless Digital Camera

Sony Alpha a7S II Mirrorless Digital Camera

Making strides in the video arena, the a7S II Mirrorless Digital Camera from Sony offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. Revolving around a full-frame 12.2MP Exmor CMOS sensor, the a7S II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format. For both stills and video recording, the BIONZ X image processor also pairs with the sensor to enable expanded sensitivity to ISO 409600, continuous shooting to 5 fps, and fast intelligent autofocus with low-light sensitivity to -4 EV. Further enabling working in difficult lighting conditions, 5-axis SteadyShot INSIDE image stabilization compensates for vertical, horizontal, pitch, yaw, and roll camera movements for sharper, smoother handheld recording.

Complementing the 4K recording capabilities is a redeveloped recording setup, including the ability to utilize S-Log3 Gamma and S-Gamut3 in addition to S-Log2, for increasing dynamic range values by up to 1300% to better match high-end post-production workflows. For clearer monitoring potential, an enhanced Zebra function better supports working with S-Log gamma settings and a Gamma Display Assist helps to preview imagery with natural contrast by converting S-Log2 and S-Log3 settings to the ITU709 gamma for easier on-camera viewing.

The a7S II is also characterized by a compact, yet robust, magnesium alloy body design that incorporates a high 0.78x-magnification Tru-Finder OLED electronic viewfinder. With a resolution of 2.36-million dots and a Zeiss T* anti-reflective coating, this finder benefits working in a variety of lighting conditions and is capable of previewing exposure and settings adjustments prior to recording. A rear 3.0" 1,228,800-dot LCD screen is also available, and features a tilting design to support working from high and low angles. Additionally, built-in Wi-Fi connectivity with NFC allows you to pair mobile devices to the camera for wireless sharing and remote camera control.

Full-Frame Exmor Sensor and BIONZ X Image Processor
A 12.2MP full-frame Exmor CMOS sensor and BIONZ X image processor work together to enable an expansive dynamic range with minimal noise and notable sensitivity from ISO 100-102400, which is further expandable to ISO 50-409600. Coupled with the large individual pixel size the 12.2MP sensor affords, this camera is well-suited to use in low-light conditions.

The sensor's design also features a new-generation RGB color filter array, as well as a gapless on-chip lens design. Together, these two technologies enable truly efficient light-gathering abilities that further reinforce the low noise, high-sensitivity design. Furthermore, an anti-reflective coating has also been applied to the seal glass of the image sensor to minimize surface reflections, glare, and ghosting for contrast-rich, color-neutral imagery.

The sensor and processor combination also avail a wealth of performance-related benefits to still shooting, including a Speed Priority continuous shooting rate of 5 fps, or a 2.5 fps shooting rate with continuous AF. The Fast Intelligent AF system employs 169 AF points, which is comprised of 25 contrast-detection points and nine central AF points that have been split into 16 segments each, in order to provide both speed and accuracy in low-light conditions down to -4 EV.
Internal UHD 4K Recording and Full Pixel Readout
Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the 12.2MP resolution, full pixel readout is possible that is void of pixel binning for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.

In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
5-Axis SteadyShot INSIDE Image Stabilization
Packed into the svelte a7S II is a 4.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
Custom Color Profiles and S-Log3 Gamma
Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that enable up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also lend themselves to greater compatibility within a professional workflow and are well-paired to the Cineon Log gamma curve for versatile post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3.Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space.

In addition to the S-Log3 gamma, the popular S-Log2 settings are also available.
Zebra and Gamma Display Assist
An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.

In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring.
Timecode and User Bit Settings
The a7S II has multiple timecode recording options to meet different workflows. It has the standard 'Record Run" mode that only advances the timecode when recording, as well as "Free Run" timecode that advances the timecode even when not recording, which can be great for syncing multiple cameras at live events. It can also record timecode in both drop frame and non-drop frame modes. When recording internally the a7S II is also able to output timecode via HDMI.
0.5" 2.36m-Dot XGA OLED Tru-Finder Electronic Viewfinder
With its 4-lens optical system using double-sided aspherical elements the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings. You'll enjoy rich tonal gradations and improved contrast. High-end features like 100% frame coverage and a 0.78x magnification enable comfortable and stable eye-level composition.

In addition to the electronic viewfinder, a rear 3.0" 1,228.8k-dot LCD monitor has also been incorporated into the design and can tilt 107° upward or 41° downward to better enable working from high and low angles.
Built-In Wi-Fi Connectivity with NFC
Built-in Wi-Fi connectivity enables the a7S II to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.

Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.
Other Camera Features
  • Cutting down on mechanical vibrations by 50% is the durable reduced-vibration shutter, which has been tested to 500,000 cycles. An electronic front curtain can be used to reduce vibrations further.
  • A Silent Shutter mode can be used to mute the sound of the shutter for working in quiet environments. Up to 5 fps shooting is possible with the silent shutter and the mode can be assigned to a function button for quick on/off switching.
  • The top, front, and rear covers of the body have all been made from magnesium alloy for long-lasting durability.
  • Enhanced Eye AF can be used with AF-S and AF-C focusing modes, and automatically detects and tracks a subject's eye for critical focus.
  • The Expand Flexible Spot function can be used with AF Area selections to intelligently expand the size of your selected focusing spot if it is not positioned on your subject.
  • Focus Magnifier and Peaking functions benefit working with manual focus and allow you to quickly confirm in-focus portions of an image when shooting stills or recording video.
  • White Balance settings can be fine-tuned for greater personal control over how a scene's colors are represented.
  • In addition to the included battery charger, the NP-FW50 battery can also be charged inside the camera via USB.
  • Adjustable Picture Profile parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3), Black Gamma, Knee, Color Mode (Movie, Still, Cinema, Pro, ITU709 Matrix, White & Black, S-Gamut, S-Gamut3.Cine, S-Gamut3), Saturation, Color Phase, Color Depth, Detail, Copy, and Reset
  • Scene Selection modes: Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Handheld Twilight, and Anti Motion Blur.
  • Picture Effects: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, and Illustration.
  • Creative Styles: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia (Contrast -3 to +3 steps, Saturation -3 to +3 steps, Sharpness -3 to +3 steps)

Canon 5D Mark III body

Canon 5D Mark III body

 

The Canon EOS 5D Mark III DSLR Camera is a full-frame 22.3MP DSLR featuring exceptional still image and movie recording capabilities. Integrating Canon's new DIGIC 5+ Image Processor and 14-bit A/D conversion, this camera is able to produce superbly detailed imagery with immense low-light sensitivity that is further aided by an extended ISO range up to 102400. Image quality is further enhanced by the new 61-point high density reticular autofocus, including up to 41 cross-type AF points and 5 dual diagonal AF points for ensured sharpness.
iFCL metering works in conjunction with the AF system and uses color information from scenes to produce accurate exposure readings using a 63 zone dual-layer metering sensor. HDR and Multiple Exposure modes provide greater creative opportunities and help you to reduce the amount of post-production time needed to produce high quality imagery. The 5D Mark III is also capable of recording full HD video with manual exposure control and in multiple frame rates, including 1080/30p and 720/60p. Still images can also be recorded up to 6fps.

  • 22.3 Megapixel Full-Frame CMOS Sensor
  • DIGIC 5+ Image Processor
  • 14-bit A/D Conversion
  • 61-Point High Density Reticular AF
  • EOS HD Video
  • Rugged and Efficient Design
 
  • Intelligent Viewfinder
  • 3.2" Clear View II LCD Monitor
  • Wireless and GPS Compatible
  • Silent Shutter Mode
 



Sachtler 750 FSB-8T Tripod System with Speed Lock 75 Tripod

Sachtler 750 FSB-8T Tripod System with Speed Lock 75 Tripod

The Sachtler 0750 FSB-8T Tripod System with Speed Lock 75 Tripod is a tripod system featuring the FSB-8T fluid head. This kit consists of a fluid head, tripod, spreader and carry case. This system offers Sachtler quality in a complete tripod system.

Fluid Head
The Sachtler FSB-8T is a fluid head designed to work with a variety of camcorders up to 9kg.
Tripod
The Sachtler 4588 Speed Lock 75 carbon fiber tripod with 75mm levelling bowl supports up to 44.1 lb (20kg). Speed Lock tripods feature traditional dual-tube design with a twist- three leg clamps instead of six for rapid setup to catch fast breaking news.
Mid-Level Spreader
The Sachtler mid-level spreader offers stability in a variety of indoor and outdoor applications. It comes with rubber feet for the tripod and is specially designed for the tripod legs.

Panasonic Lumix DMC-GH4 body

The worlds first DSLM Camera to Record 4K video

Panasonic Lumix DMC-GH4 body

The LUMIX GH4 builds on the legacy of the renowned LUMIX GH3s image quality and world class video capabilities. Now supporting 4K quality video, the Panasonic LUMIX GH4 allows photographers and cinematographers to explore above and beyond with in camera creative options and astonishing focus control that sets the new standard for mirrorless hybrid photography.

When combined with one of the many LUMIX G Lenses or movie industry PL mount* cine lenses, the LUMIX GH4 provides the ultimate platform for video. Photographers will enjoy the controls and image quality expected of a professional grade main system camera for still and hybrid photography. Both will enjoy the durability and lightweight portability that a modern mirrorless DSLM digital camera offers over legacy DSLR systems.

 

Canon EF 24-70 F2.8 LII USM

Canon EF 24-70 F2.8 LII USM

This redesigned EF 24-70mm f/2.8L II USM Lens from Canon ups the ante for optical performance for a professional standard zoom lens. It has one Super UD lens element and two UD lens elements that minimize chromatic aberrations in the periphery at wide-angle, as well as reducing color blurring around the edges of the subject. In addition, two types of aspherical lenses are combined to help reduce spherical aberration over the entire image area, as well as through the full zoom range. Optimized lens coatings help ensure exceptional color balance while minimizing ghosting.

A ring-type USM and high-speed CPU with optimized AF algorithms ensure silent, fast autofocusing. The lens is constructed with improved dust sealing and water resistance, while fluorine coatings on the front and rear lens reduce fingerprints and smearing. A circular 9-blade diaphragm gives beautiful, soft backgrounds. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder.

Large aperture L-Series standard zoom lens that combines high image quality and enhanced durability. Constant f/2.8 maximum aperture for effective imaging in low light and shallow depth of field.
New optical design utilizes one Super UD lens element and two UD lens elements to minimize chromatic aberration in the outer area at wide-angle; as well as eliminates color blurring around the edges of the subject, for images with high resolution and contrast.
Combines two types of aspherical elements to reduce spherical aberration, and achieve high image quality across the entire screen area and throughout the full zoom range.
Highly resistant to dust and water, enabling shooting even in harsh and rigorous conditions.
Nine-blade circular diaphragm delivers beautiful, soft backgrounds.
Ring USM, high-speed CPU, and optimized AF algorithms for fast autofocusing.
Manual focus override in One Shot AF mode allows precise manual focus even in AF mode.
Optimized lens coatings ensure exceptional color balance while minimizing ghosting.
Fluorine coating on front and rear lens surfaces reduces smears and fingerprints.
Zoom lock lever locks the zoom position at the wide end for safe transporting.

Prolinchrom 23 Studio Light with Elinchrom Softbox

Prolinchrom 23 Studio Light with Elinchrom SoftboxA ready to use fast setup studio flash system.The Prolinchrom 23 lights coupled with an Elinchrom square or rectangular softbox
is an ideal choicefor an indoor photo shoot. A light stand and a remote trigger is also included.

Canon EF 100-400mm f/4.5-5.6L IS II USM Lens

Canon EF 100-400mm f/4.5-5.6L IS II USM Lens
A long-reaching telephoto zoom characterized by a sophisticated optical design and advanced image stabilization technologies, the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens is part of the esteemed L-series developed for full-frame EOS DSLRs.
One fluorite element and one Super UD element have been incorporated into the lens' construction, and both help to reduce aberrations and distortions throughout the zoom range in order to deliver notable clarity, image sharpness, and faithful color reproduction.
An Air Sphere Coating has also been applied to lens elements in order to reduce lens flare and ghosting for more contrast-rich imagery.
Benefitting the optical components of the lens, a four-stop effective Optical Image Stabilizer helps to minimize the appearance of camera shake and can be dedicated to different styles of shooting.
Furthermore, a redeveloped rotation-type zoom ring pairs with an internal focusing mechanism, and an Ultrasonic Motor, to deliver quick and intuitive handling to benefit handheld shooting.
Positioned as a versatile option for sports and wildlife photographers, this lens' list of attributes make it a viable telephoto zoom for a variety of shooting applications.
Telephoto zoom 100-400mm f/4.5-5.6 lens is compatible with full-frame EOS DSLRs, as well as APS-C sized sensors where it will provide a 35mm-equivalent focal length of 160-640mm.
One fluorite element and one Super UD (Ultra Low Dispersion) element help to correct chromatic aberrations throughout the zoom range for a high degree of sharpness, clarity, and color accuracy.
An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four shutter speed stops to better enable working in low-light conditions and with slower shutter speeds. Additionally, three dedicated image stabilization modes are available-Standard, Panning, and During Exposure Only-and can be selectively employed to suit a variety of types of shooting.
An Ultrasonic Motor (USM), along with an internal focusing system, high-speed CPU, and optimized AF algorithms, are employed to deliver fast, precise, and near-silent autofocus performance.
The rotation-type zoom ring offers precise adjustment between zoom positions, especially when shooting handheld, and a zoom torque adjustment ring enables easy setting of the zoom tension for personalized control.
A weather-resistant design protects the lens from dust and moisture to enable its use in inclement conditions. Additionally, fluorine coatings have also been applied to the front and rear lens elements for further protection against fingerprints and smudging.
Nine rounded diaphragm blades contribute to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.
A redeveloped tripod collar can be attached or detached from the lens without having to remove the lens from the camera.
The included ET-83D lens hood incorporates a side window for easier adjustment of rotating filters with the hood in place.

Canon EF 85mm f/1.2L II USM Lens

Canon EF 85mm f/1.2L II USM Lens

The EF 85mm f/1.2L II USM Lens from Canon is a fast, medium telephoto lens that delivers superb optical performance. A maximum aperture of f/1.2 makes it the professional's choice for shooting without flash in low light conditions.
The large aperture also provides fine control over depth of field for compelling portrait photography.
A floating optical system and high precision aspherical lens element reduce aberrations and contributes to excellent imaging performance even at the maximum aperture.
Super Spectra lens coatings minimize reflections, reducing flare and ghosting.

Retaining the impressive optical performance and large aperture of its predecessor, this lens has been improved with a ring-type ultrasonic autofocus motor (USM),
high-speed CPU and optimized algorithms to achieve fast, smooth and quiet autofocus.
Manual focus override enables precise manual focus at any time, even in AF mode.
The truly circular aperture creates a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits. This L-series lens features weather-sealing to protect the lens from damage brought on by moisture and dust.

       

                
       
 

                
 




Canon EF 85mm f/1.2L II USM Lens & more

L-Series
The L-series is Canon's flagship professional lens range, combining outstanding image performance and ultimate operability with dust and moisture resistant construction.
Large f/1.2 Aperture
The large maximum aperture of f/1.2 provides outstanding speed for shooting in low light conditions, without the need for flash.
Fast and Quiet AF
The ring-type USM uses ultrasonic frequency vibrations to drive extremely rapid autofocus with near-silent operation. A high-speed CPU and optimized AF algorithms contribute further to AF speed. Full time electronic manual focus override is available without having to switch out of AF.
Super Spectra Coatings
Super Spectra lens coatings and lens element shaping suppress flare and ghosting, more prone to occur with digital cameras due to reflection off the image sensor. Coatings also help achieve true color balance and increase contrast for vivid hi-fidelity images.
Aspherical Element
The floating optical system, which includes an aspherical lens element, suppresses aberrations and ensures excellent imaging performance.
8-Bladed Circular Aperture
The circular aperture creates a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits. 
 
 
Canon EF 70-200mm f/2.8L IS II USM
Canon EF 70-200mm f/2.8L IS II USM
Canon 7D Mark II Body
At 8FPS burst nothing gets missed. Canon 7D Mark II Body
Metabones T Speed Booster Ultra 0.71x Adapter for Canon Full-Frame EF-Mount Lens to MFT
Metabones T Speed Booster Ultra 0.71x Adapter for Canon Full-Frame EF-Mount Lens to MFT
Canon 1D Mark IV Body
With 10FPS Shooting and Full HD Video Canon 1D Mark IV Body
Canon 5D Mark II Body
21.1-megapixel full-frame CMOS DSLR Canon 5D Mark II Body
Canon EF 24-70mm f/2.8 L USM Lens
Impressively high performing zoom lens Canon EF 24-70mm f/2.8 L USM Lens
Lensbaby Composer Special Effects SLR Lens - for Canon EF Mount
Adds the fun element in your photographs! Lensbaby Composer Special Effects SLR Lens - for Canon EF Mount
Panasonic LUMIX G Leica DG Nocticron 42.5mm f/1.2 ASPH Power OIS Lens
A light weight macro lens Panasonic LUMIX G Leica DG Nocticron 42.5mm f/1.2 ASPH Power OIS Lens
Metabones T Speed Booster Ultra 0.71x Adapter for Canon Full-Frame EF-Mount Lens to Sony E-Mount APS-C Camera
Metabones T Speed Booster Ultra 0.71x Adapter for Canon Full-Frame EF-Mount Lens to Sony E-Mount APS-C Camera
Canon EF 70-200mm f/2.8 L IS USM Lens
Excellent image and superb autofocus performance Canon EF 70-200mm f/2.8 L IS USM Lens
Canon EOS 7D Body
Canon EOS 7D Body
Panasonic 35-100mm f/2.8 Lumix G Vario
Panasonic 35-100mm f/2.8 Lumix G Vario
Canon TS-E 90mm f/2.8 Tilt Shift Lens
Tilt Shift lens from Canon Canon TS-E 90mm f/2.8 Tilt Shift Lens
FotodioX Pro Lens Mount Adapter PL to Micro Four Thirds
FotodioX Pro Lens Mount Adapter PL to Micro Four Thirds
FotodioX Pro Lens Mount Adapter PL to Canon EF
FotodioX Pro Lens Mount Adapter PL to Canon EF
Fotodiox EOS Lens to Micro Four Thirds Lens Mount Adapter
Fotodiox EOS Lens to Micro Four Thirds Lens Mount Adapter
GoPro Hero 4 Black Edition
POV goes 4K GoPro Hero 4 Black Edition
Canon EF 70-200mm F/4L IS USM
Canon EF 70-200mm F/4L IS USM
Canon 16-35 F/4L IS USM
Canon 16-35 F/4L IS USM
Prolinchrom 23 Studio Lights with Softbox
Prolinchrom 23 Studio Lights with Softbox
Sony E-Mount FE 24-240mm f/3.5-6.3 OSS
Sony E-Mount FE 24-240mm f/3.5-6.3 OSS
Viltrox EF-NEX II Canon EF Lens To Sony NEX Cameras Adapter
Viltrox EF-NEX II Canon EF Lens To Sony NEX Cameras Adapter
Feiyu G4-QD 3-Axis Handheld Gimbal for GoPro and Similar Action Cameras
Feiyu G4-QD 3-Axis Handheld Gimbal for GoPro and Similar Action Cameras
Wimberley Head Version II Gimbal type
A compact and lightweight gimbal-type tripod head Wimberley Head Version II Gimbal type
Panasonic Lumix G X Vario 12-35mm f/2.8 Asph
1 lens for all jobs Panasonic Lumix G X Vario 12-35mm f/2.8 Asph
Qflash T5D-R Reflector and Diffuser with QTTL Adapter D-23
Reflector and Diffuser Qflash T5D-R Reflector and Diffuser with QTTL Adapter D-23
Canon MP-E 65mm 1-5x
An extreme macro lens with Tripod collar Canon MP-E 65mm 1-5x
Canon EF 16-35mm f/2.8L USM
An ultra wide-angle L-series lens Canon EF 16-35mm f/2.8L USM
Dracast LED500 Pro Daylight LED Light with V-Mount Battery Plate
Dracast LED500 Pro Daylight LED Light with V-Mount Battery Plate
Syrp Genie Motion Control Time Lapse Device
Syrp Genie Motion Control Time Lapse Device
Nikon D3200
Great for getting started. Nikon D3200
Panasonic Lumix G Vario 7-14mm f/4.0 ASPH
Panasonic Lumix G Vario 7-14mm f/4.0 ASPH
Gitzo: Mountaineer Tripod
An all-purpose carbon tripod Gitzo: Mountaineer Tripod
Sigma 15-30mm f/3.5-4.5 EX DG IF
Ultra wide-angle zoom lens Sigma 15-30mm f/3.5-4.5 EX DG IF
Sigma 15mm f/2.8 EX DG Diagonal Fisheye Lens
Digitally optimized auto-focus lens Sigma 15mm f/2.8 EX DG Diagonal Fisheye Lens
Canon 600D Body
Canon 600D Body
Really Right Stuff:Long Lens Support
Long lens support with dual quick release Really Right Stuff:Long Lens Support
NiteRider HID Dive Lights
NiteRider HID Dive Lights
Canon EF 24-105mm f/4L IS USM Lens
Canon EF 24-105mm f/4L IS USM Lens
Canon Speedlite 580EX II
Canon Speedlite 580EX II
Pelican ProGear S130 Sport Elite Laptop Backpack
Pelican ProGear S130 Sport Elite Laptop Backpack
Commlite Lens Mount Adapter CM-EF-NEX Black
Commlite Lens Mount Adapter CM-EF-NEX Black
Canon EF 50mm f/1.4 USM Lens
Canon EF 50mm f/1.4 USM Lens
Canon EF S 10-22 F3.5
Canon EF S 10-22 F3.5
Panasonic Lumix G Vario 14-140mm f/3.5-5.6 ASPH. POWER O.I.S
Panasonic Lumix G Vario 14-140mm f/3.5-5.6 ASPH. POWER O.I.S
Gopro HD Hero 3 Black Edition
Capture your adventure Gopro HD Hero 3 Black Edition
Kirk ball head
A rugged and well-designed ballhead Kirk ball head
Panasonic Lumix G 25mm f/1.7 ASPH
An excellent lens for Portraits Panasonic Lumix G 25mm f/1.7 ASPH
Panasonic Lumix DMC-FZ300 Digital Camera
Panasonic Lumix DMC-FZ300 Digital Camera
Tokina 11-16 2.8 AT-X PRO DX II Canon
Wide Angle Lens for Canon Tokina 11-16 2.8 AT-X PRO DX II Canon
Nikon AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR Lens
Nikon AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR Lens
Syrp: Genie-Mini
Small Size for your big Time-Lapse Projects Syrp: Genie-Mini
Galen Rowell ’s Filter kit
Neutral Density Filters Galen Rowell ’s Filter kit
GorillaPod Focus Tripod
A counterpart to traditional tripods GorillaPod Focus Tripod
Canon LC-E4 Charger
Charger for Canon 1D Mark III and 1D Mark IV Canon LC-E4 Charger
Canon LP-E4 Rechargable Li-Ion Battery
For Canon EOS 1D Mark III & 1D Mark III Canon LP-E4 Rechargable Li-Ion Battery
Canon Macro Twin Lite
Extremely flexible and easy to use macro flash Canon Macro Twin Lite
Slik Monopod 300
Lightweight Monopod Slik Monopod 300
Manfrotto 190 series tripod
Compact and light. Ideal for travelers Manfrotto 190 series tripod
Varalux 56004
Professional Light Hot Shoe Mount Varalux 56004
Canon Digital Rebel XTi body
With 10.1-megapixel CMOS sensor Canon Digital Rebel XTi body
Canon Speedlite Flash 580EX
Canon Speedlite Flash 580EX
Canon Speedlite Transmitter ST-E2
for Canon 580EX II, 430EX, 430EX II Speedlites Canon Speedlite Transmitter ST-E2
Sigma APO Teleconverter 1.4x EX
Teleconverter lens for Canon SLR cameras Sigma APO Teleconverter 1.4x EX
Canon extension Tube EF 2x II
Ideal for sporting events Canon extension Tube EF 2x II
Canon: Cable release TC-80N3
Remote Timer and Controller Canon: Cable release TC-80N3
LC-E6 Charger
Canon LC-E6 Battery Charger LC-E6 Charger
LP-E6 Battery
for 5D, 7D and 60D LP-E6 Battery
Canon BG-E6 Battery Grip
For Canon EOS 5D Mark II DSLR Canon BG-E6 Battery Grip
RL01 DSLR Rig Movie Kit Shoulder Rig Mount Video
RL01 DSLR Rig Movie Kit Shoulder Rig Mount Video
The Pod The Black Pod Camera Platform
The Pod The Black Pod Camera Platform
Nikon 18-55mm f/3.5-5.6G AF-S VR DX NIKKOR
Nikon 18-55mm f/3.5-5.6G AF-S VR DX NIKKOR
Think Tank Photo Airport International V 2.0
Think Tank Photo Airport International V 2.0
Canon Extension Tube EF 12
Shortens focusing distance of lens Canon Extension Tube EF 12
Canon Extension Tube DG 20mm
Enables Closer Focusing Canon Extension Tube DG 20mm
Canon Extension Tube EF 25 II
Compatible with EF-S lenses Canon Extension Tube EF 25 II
Video Shoulder Support for Camcorders
Video Shoulder Support for Camcorders
Yongnuo RF-603C II Wireless Flash Trigger Kit for Canon 3-Pin Connection
Yongnuo RF-603C II Wireless Flash Trigger Kit for Canon 3-Pin Connection
F mount - EF mount Lens adapter
Cine Pro - Nikon G Lens Mount to Canon EOS Digital body F mount - EF mount Lens adapter
Manfrotto Compact Light Aluminum Tripod
Manfrotto Compact Light Aluminum Tripod