Photography and Filmmaking Equipment on rent at Bangalore
Camera and lenses for rent in Bangalore, Lenses, Jibs Sliders and camera accessories at Bangalore.
Most reliable photography and filmmaking equipment rental source at Bangalore, Felis has been renting photography and film making equipment for BBC, The National Geographic Channel and many other international broadcasting corporations.
Felis has an inventory of the latest 4K cameras like Canon C500, the Black Magic 4K and an ample selection of all types lenses for anything from wildlife photography/film making to indoor shoots. Felis Creations also rent out time-lapse sliders, jibs and a lot of equipment for both professional and amateur filmmakers.
Filmmaking runs in our blood - we eat, breathe and live filmmaking. We get amazing sequences and perspectives, and that’s because we work with high quality equipment that always delivers. Filmmakers looking for fresh, new ways of acquiring content will find that they can rent new, state of the art jibs, sliders, motion controlled time lapse equipment, 4k cameras. So go ahead, have a look and let us know how we can help you further your filmmaking dream.
Photographic and filmmaking equipment available on hire in Bangalore (Bengaluru).
Do you have a dream sequence in mind? Something that you’ve always wanted to photograph now that the perfect opportunity has arisen, but do not possess the equipment required? Felis Creations houses a large inventory of photographic equipment and accessories - whatever it is you’re looking for, there’s a good chance we have it. So have a look and if you find what you’re searching for, you can go ahead and rent it so that you may realize your photography dreams
- See more at: http://webcache.googleusercontent.com/search?site=&source=hp&q=cache%3Afelis.in%2Fequipment&oq=cache%3Afelis.in%2Frentals&gs_l=hp.3...1431.11590.0.11818.104.22.168.0.0.0.595.4400.0j9j7j2j0j1.19.0....0...1c.1.53.hp..24.11.1676.0.KslNT_ErRIc#sthash.mLNP8WuG.dpuf
Felis Creations is a visual arts company based in Bangalore, working on a variety of projects ranging from natural history documentaries to art and still photography. Felis offers a complete documentary production service with the ability to acquire permits, research & recce, shoot & direct and deliver a completed program.
A sleek new design with magnesium unibody construction, obstacle avoidance sensor, dynamic range enhancing video modes, and a two-point-of-contact gimbal mount are just some the features DJI have introduced with the Phantom 4 Quadcopter. Thanks to improvements in efficiency as well as its intelligent power management system, the quadcopter boasts up to 28 minutes flying time. Its camera shoots DCI 4K (4096 x 2160) video at 24/25 fps and UHD 4K (3480 x 2160) at up to 30 fps. There is also a 120 fps mode in 1080p resolution for slow-motion effects. The camera will also take 12MP still photos in either DNG RAW or JPEG, with single shot, HDR, burst, and time-lapse modes to choose from.
65.6' per second / 20 m/s (Sport mode) Ascent: 19.7' per second / 6 m/s (Sport mode)
Descent: 13.1' per second / 4 m/s (Sport mode)
Above Sea Level: 19,685' / 6000 m Above Takeoff Point: 400' / 122 m (Software limit)
Vertical: ±0.3' / 0.1 m (when Vision Positioning is active) or ±1.6' / 0.5 m
Horizontal: ±1' / 0.3 m (when Vision Positioning is active) or ±4.9' / 1.5 m
28 minutes (depending on conditions)
DJI Phantom 3 Professional Quadcopter: 4K Aerial Video
We offer aerial Filming in and around Bangalore, Karnataka, Tamil Nadu and Kerala for Advertisements, Feature Films, Documentaries and Corporate Videos.
Answer for who does aerial filming and aerial shooting at Bangalore. An aerial film making company in Bangalore and best offers for aerial film-making. Experts in Aerial film making at Bangalore with more than a decade of experience in Filmmaking and Drones.
Take to the sky and capture your world in beautiful 4K. The Phantom 3 is an easy to use, fully integrated package with an intelligent system..
Imagine amazing, immersive footage at your fingertips. Imagine capturing content fit for the big screen, with crisp images, beautiful resolution, and vivid colors. With an integrated, stabilized camera, we brings your imagination to life.
With sensitive control sticks, dedicated buttons, and real time monitoring of footage, this gives you a completely new way to capture aerial footage.
On-Board 4K Camera
The included camera system features video recording at up to 4K30 (4096 x 2160) in H.264 and also takes JPEG and DNG RAW photos at 12MP. The camera mounts via an integrated 3-axis gimbal that provides stabilization as well as pan and tilt control. Media is recorded internally to a microSD card
Video Resolutions and Frame Rates DCI 4K (4096 x 2160): 24p, 25p UHD 4K (3840 x 2160): 24p, 25p, 30p 1080p (1920 x 1080): 24p, 25p, 30p, 48p, 50p, 60p 720p (1280 x 720): 24p, 25p, 30p, 48p, 50p, 60p
The camera features a 94° angle-of-view lens, which is a narrower angle than a fisheye for less distortion while still being wide enough to enable capturing establishing shots. The lens features an f/2.8 aperture and is comprised of 9 elements, including an aspherical element.
This full 2/3" DVCPRO HD camcorder records pristine 100Mbps HD images in any of 11 video formats, encompassing 60Hz and 50Hz production. The versatile, cost-effective camera provides higher-quality 4:2:2 intra-frame recording that holds up through layers of special effects, graphic overlays and constant editing and processing. Collaboration and content exchange are essential in sports production, cable shows and reality TV — and nothing maintains the original image integrity and sound quality like DVCPRO HD. With 1080i, 720p, 24p and 25p capabilities, the AJ-HDX900 is perfect for long-form HD programming and an invaluable tool for digital cinematography, cable and television production in any format, sports and events, for globetrotting documentarians and feature crews, and for the rental companies that serve them.
A progressive HD CCD and 14-bit digital processing assure outstanding image quality. A new film-like gamma curve and newly developed dynamic range stretching (DRS) function respond to high-end production needs. The first full-size HD camera-recorder to come equipped with IEEE 1394 digital output, the AJ-HDX900 offers quick, easy linking with IT systems such as hard disk recorders. The AJ-HDX900 is also compatible with a newly developed Remote Control Unit (RCU), for added operational and functional flexibility. Even with all of these features and performance, the AJ-HDX900 is surprisingly affordable. As the perfect complement to the AJ-HDX900, Panasonic is making available the AJ-HD1400 compact recorder. With these two new high cost-performance units, Panasonic is offering versatile, high-quality HD production systems at a cost of SD production.
Full-size 2/3" CCD block provides superb low-light performance and compatibility with all manufacturers 2/3" lenses for ENG, EFP and digital cinema production
Multi-format recording system that supports 1080 at 59.94i, 50i, 29.97p, 25p, 23.98p, 23.98pA and 720 at 59.94p, 50p, 29.97p, 25p, 23.98p
14-bit A/D DSP circuits that provide optimum picture quality, color reproduction and luminance gradation
Superior 4:2:2 color sampling and independent frame compression
Records for 33 minutes on a DVCPRO medium-size cassette with 48kHz/16-bit digital audio on all four channels
Three CineGamma™ modes to replicate the look and feel of film
Built-in IEEE 1394 digital output helps lower the cost of HD production by allowing you to directly transfer HD video to nonlinear editing systems or other VTRs
Standard HD SDI output is included for monitoring and line recording
Built-in downconverter produces a SD output, allowing the use of low-cost SDI accessories
Outstanding low-light shooting down to 0.032 lux (at+62 dB gain)
Compatible with a wide range 2/3" quality lenses and accessories
Two 4-position optical filters (ND: clear, 1/4, 1/16, 1/64; CC: Cross, 3200K, 4300k and 6300K)
Electronic shutter (1/100 to 1/2000 sec.) with synchro scan shutter (1/60.3 to 1/249.8 sec.)
Teams with Panasonic's new AJ-HD1400 compact DVCPRO HD VTR to form at high-performance, mobile acquisition-through-editing system
Panasonic's Cinema VariCam 4K S35is a single Super 35-sized sensor digital cinema camera with a lightweight magnesium body and interchangeable lens mount. The sensor features dual native ISO ratings of 800 and 5000. The camera is capable of capturing 14-stops of dynamic range when using V-Log and recording up to 60 fps at 4K, and up to 240 fps at 2K.
You can record your footage to high-data-rate files using the camera's built-in expressP2 card while simultaneously recording proxy files to the camera's SD card slot. The proxy files can incorporate color grading changes that the high-resolution files do not, making it easy for post to see your intent, without baking the look into your high-quality, camera-original files.
The camera features selectable gamma curves, allowing you to get the most out of the sensor. It supports recording using AVC-Intra, AVC-Intra 4K, and Apple ProRes codecs. The 3.5" control panel can function as an LCD screen or be used to control the camera's functions.
Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial and corporate applications Sony's PXW-FS7 XDCAM Super 35 Camera System is a flexible 4K camera system. It features a Super 35mm size sensor that allows you to capture images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses or with the use of optional adapters to accept most 35mm lenses including PL, EF, Leica, and Nikon. The camera can capture footage to optional on-board XQD media cards in either DCI (4096 x 2160), UHD (3840 x 2160) at up to 60 FPS or HD at up to 180 FPS.
The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.
The Canon EOS C500 4K Cinema Camera (EF Lens Mount) represents Canon's first foray into the world of 4K digital cinema production. Sharing a sensor with the earlier EOS C300 camera, the EOS C500 fulfills the potential of the large (Super 35mm-size), high-resolution (8.8 Mp effective) CMOS imager by offering full 4K RAW output via 3G-SDI.
The C500 also has a body type in common with the C300. Featuring large, accessible buttons with ridges dividing them, the EOS C500 has been designed expressly for the craft of digital cinema. Its signal output is similarly appropriate: At rates up to 60 frames per second, the 10-bit 4K RAW data stream output can be recorded to an approved external device (sold separately) at full resolution. Using a format called 4K half RAW, which halves the horizontal resolution, you can capture up to 120 fps to the external recorder by using both of the C500's 3G-SDI outputs.
Studio 19mm MiniMount
The Zacuto Z-MMS is a universal mount for 19mm offset rods. This mount works with articulating arms or any device connecting with a 3/8" thread.
Z-Finder with Mounting Kit for C300-C500
The C300/500 Z-Finder is an optical viewfinder, specifically designed to attach to the Canon C300 and C500 cinema camera’s LCD screen. This Z-Finder will magnify the LCD screen by 1.8x and has a diopter wheel for specific focus tuning. It cuts out any extraneous light and offers an initial point of stability by pressing your eye against the large eyecup.
Helmet Coldshoe Handle Kit for C300-C500
The C300/500 Helmet is a mini cage which mounts directly to the top of your C300 or C500 in place of the Canon top handle. The Helmet securely attaches to the camera via one screw on the top and two additional screws on the sides. Attachment screws are included. The two original plane screws must be removed from the camera in order for the Helmet to be attached, but they can be screwed into the Helmet itself, maintaining their original position. Once attached, the Helmet provides multiple 1/4"-20 and 3/8"-16 mounting screw holes for attaching a variety of camera accessories, such as the included 3" Z-Rail.
Spacer for LCD monitor
The Z-Spacer is used with our Universal or Mini Baseplate when mounting a smaller camera that needs extra height under the lens to reach a follow focus or mattebox.
Pelican Case with Padded Dividers
Waterproof, crush-proof and dust-proof
FAA maximum carry-on size
Retractable extension handle
Strong polyurethane wheels with stainless steel bearings
Easy open double throw latches
Watertight with Automatic Pressure Equalization Valve
Reinforced padlock protectors
Stainless steel ball bearing wheels
Single Layer padded dividers with Velcro adjustments
Designed to satisfy the discriminating needs of sports and wildlife photographers, the EF 200-400mm f/4L IS USM Extender 1.4X is a high-performance super telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility. With a simple flick of a switch, the zoom range can be quickly increased to 280-560mm (f/5.6). This capability is extremely useful in applications where it is not possible to change lenses quickly, while also protecting delicate equipment such as a digital SLR camera's image sensor in environments with dust and high humidity.
The EF 200-400mm f/4L IS USM Extender 1.4X incorporates one fluorite and four UD lens elements, which provide excellent correction of chromatic aberration throughout the entire zoom range for professional quality images with high resolution, contrast and color fidelity, while a 9-blade circular aperture helps deliver beautiful, soft backgrounds. It utilizes inner focusing, ring USM, a high-speed CPU and optimized AF algorithms for fast and accurate autofocusing. And, with Power Focus mode, focus shifts are quiet and smooth, which is essential for filmmaking.
Motion Controlled Time-lapse with Oracle Controller
The Kessler CineSlider™ is a robust, yet portable camera slider for rigs weighing up to 80 lbs. This 5 ft. CineSlider is a very portable solution to get quick and smooth dolly movements without having to transport a large dolly system. Best known for its drag control (much like drag on a fluid pan/tilt head), adjustable arc diameter crank handle and guarded side rails for the most versatility, this flagship product will handle anything you put on it.
The CineSlider has an adjustable arc diameter handle, drag control. The slider system with the rail protected on the inside of the channel. It is an overall portable solution to get those quick, smooth short-run dolly movements, without having to transport a large dolly system.
An overview of the Kessler CineSlider™ showing functionality and mounting options.
These tripods are top sellers for good reasons. The ENG 2 CF is extremely lightweight, solid and stable. Although the ENG 2 CF HD weighs just 4 kg / 8.8 lb, its completely dual tube design ensures it can safely and stably carry payloads of up to 95 kg / 209 lb even at its maximum height of 161 cm / 63.4". And with its folding handle, you can easily carry the tripod in a horizontal position.
Double extension tripods are ideal for a much wider variety of applications, due to their expanded height range, i.e. lower bottom and higher top positions. In addition, their transport length is even shorter. For extra stability, Sachtler offers heavy duty (HD) versions with larger tube diameters. With our quick clamping system, you can securely – and visibly – lock the tripod.
The S1 fluid heads are the latest models of the two legendary Sachtler Video 18 and Video 20 ENG / EFP series. Now with 4 steps more, the Video 20 S1 has a 16-step counterbalance and enables extremely fine tuning for the camera users. Additionally, the payload range of the Video 20 S1 has been broadened and can take on cameras starting at two kilograms. The fluid head now also has a Boost Button for a quick payload range shift.
The Video 20 S1 is perfect for conventional usage in the ENG area with digital and HDV camcorders. Sachtler's well-proven Speedbalance technology enables quick and fine adjustment.
Convergent Design's Odyssey7Q Raw OLED Monitor & Recorder is an advanced follow-up to Convergent's Gemini 4:4:4 Raw monitor/recorder. The Odyssey7Q features a 7.7" 1280 x 800 OLED display with a 3400:1 contrast ratio and is equipped with advanced image analysis tools, including Waveform and RGB Parade. It includes the Apple ProRes 422 HQ codec (up to 1080p30) and supports several high-speed Raw and HD recorder options, sold separately. It features two built-in SSD slots and records to Convergent Design 2.5" SSDs only.
The Odyssey7Q has two SDI inputs, two outputs, and two bi-directional SDI ports. It automatically detects the incoming video format and when possible creates an entire recorder/monitor setup based on camera metadata. The bi-directional SDI ports can be assigned as either inputs or outputs via menu selection. When these are assigned as inputs, the monitor can simultaneously stream four separate 1080/30p/60i signals from a multicam setup, and you can monitor all four in a quad-split screen.
The interface is a capacitive touchscreen and simple to navigate, meaning less setup time. Most of the inputs/outputs are on the bottom, and 1/4" mounting threads are on the sides. An AC adapter is included for continuous power, and compatible IDX, AB and Sony battery plates are available.
The Ronin-M 3-Axis Handheld Gimbal Stabilizer from DJI is a camera stabilization system designed to give the operator close to the freedom of unencumbered handheld shooting but without the hand-shake. Suitable for most camera types and configurations up to 8 pounds, the Ronin-M uses brushless motors that work on three axes: one for side-to-side "roll" - keeping the horizon level - one for tilt, and one for pan. The system is computer-controlled and features a tilt range of 105⁰ up / 165⁰ down plus a roll range of ±110⁰. Furthermore, the system boasts a precision of control of ±0.02°, enabling precise camera moves and stability correction against even very fine movements. In addition to handheld shooting, the gimbal can be used in vehicle mounting scenarios and other contexts where vibrations or other abrupt movements would make tripods and rigid camera support systems unsuitable.
The Ronin-M supports dual-operator shooting, much like working with a jib that has a motorized pan/tilt head. In this mode, a second operator would use the included transmitter (radio controller) to manually control camera pan and tilt independently of which way the Ronin-M itself moves. The included transmitter/receiver system operates on 2.4 GHz and is proprietary. If you prefer to use a third-party transmitter there is a D-Bus port on the Ronin-M to install your own receiver.
As with sled and vest style stabilizers, motorized gimbal systems require balancing before use. Once balanced, you can configure the Ronin-M for your particular camera arrangement using the Assistant Software for compatible iOS and Windows (Desktop) devices with Bluetooth. Because every camera and lens combination has a different mass and weight distribution, there is an ATS (Auto Tune Stability) procedure in which each axis will adjust individually, repeating the process until all three are aligned. A gimbal tuning stand is provided so you won't have to hand-hold the rig during this process.
The included 4S lithium-polymer battery powers the Ronin-M for up to six hours. It is a "smart" battery, meaning power regulation and protection circuitry is built-in and there is no separate balancing lead, unlike many lithium-polymer batteries. A charger is also included, and it is important to always use chargers designed for the Ronin-M battery because of the smart circuitry. Two 12V DC PowerTaps and one USB power port on the camera base allow you to power on-camera accessories directly from the Ronin-M battery to simplify your charging regime and avoid unnecessary added weight.
The SliderPLUS V2 Medium from edelkrone is a slider that uses a unique tracking mechanism that allows the rails of the slider to move with the camera when mounted on a tripod. This gives the slider 24" of sliding range in a unit that is only 17.2" long. Its compact sizes makes it ideal for travel, as it takes of up less room in your camera bag than other sliders with a similar sliding range. The slider supports loads up to 13.2 pounds.
The tracking system works by having two thin bands that are connected to each side of the mounting plate and base plate. When placed on a flat surface, the base plate travels in the opposite direction of the mounting plate. This will yield results of traditional slider. To take advantage of the design, the SliderPLUS V2 needs to be mounted to a tripod. When mounted on a tripod, the movement of the base plate is restricted, causing the rails to move through the base plate in the same direction as the mounting plate.
With traditional sliders, you're often limited to the amount of dolly in/out you can do, because the slider itself usually will end up in the shot eventually. With the SliderPLUS V2, the rails are also retracting backwards with the camera, allowing for longer dolly in/out shots. A lock mechanism can be engaged to keep the slider from moving if the tripod becomes unlevel.
The slider provides a 3/8"-16 threaded hole at the bottom of the base plate for attaching to tripods, and comes with interchangeable 1/4"-20 and 3/8"-16 screws for mounting a camera or flat base tripod head to the mounting plate.
CNC machined aluminum construction
Steel ball bearings
1/4"-20 and 3/8"-16 threaded screws
3/8"-16 threaded mounting hole
Adjustable feet for use on ground or flat surfaces
Sigma’s APO 300-800mm F5.6 EX DG HSM is another unique lens in the line of Sigma offerings. An ultra telephoto as no other camera or lens manufacturer offers the serious photographer! Featuring a constant aperture of F5.6 throughout the entire zoom range, this lens is ideal for photographing wildlife when there is no way of controlling the distance of the animal to the camera.
With a simple turn of the zoom ring, the photographer can instantly adjust the composition of the image without moving or disturbing the subject. Similarly, the zoom accommodates sporting photography such as soccer or surfing where the rapidly changing distance of the action requires massive changes in focal length in a matter of seconds. Two SLD (Special Low Dispersion) glass elements provide optimum color correction & sharpness throughout the entire zoom range. At the rear of the lens, a drop in 46mm filter holder is provided so that the photographer can easily add inexpensive color correction or light balancing filters.
The use of Apochromatic design and 2 ELD (Extraordinary Low Dispersion) glass elements give full correction of chromatic aberration and provide a high level of optical performance. The AF drive for the Canon EOS, Nikon and Sigma mounts are equipped with the silent, responsive and high speed Hyper Sonic Motor and provides fulltime manual focus override.
The improved DG lens design corrects for various aberrations. This lens is specially coated to get the best color balance whilst cutting down on ghosting caused by reflections from the digital image sensor. The lens provides the utmost correction against lateral chromatic aberration, which is a serious problem for digital SLR cameras.
It is also possible to use this lens with Sigma 1.4x EX and 2x EX Apo Tele Converters to convert this lens into an ultra tele-zoom lens, effectively converting it into a 420-1120mm f/8 or 600-1600mm f/11 lens.
The unique MICRODOLLY Jib System is truly a product of the aerospace age. Designed for the crew that must travel light, the Basic Jib weighs just over 10 pounds (4.5 kg) and can easily carry camera gear loads up to 50 pounds (22.7 kg). It can be mounted on most professional tripods or hi-hats.
When needed, the Jib can also be mounted upside down. For low maintenance, heavy-duty use, interior parts are permanently lubricated with baked-on Teflon.As with the MICRODOLLY Camera Dolly and Dolly Track System, the Basic Jib comes in a padded Soft Case only 34 inches (86 cm) long. Set up time is usually less than two minutes.
Jib details: The Basic Jib Kit includes the MICRODOLLY Jib and the standard 34 inch MICRODOLLY Soft Case. An adapter plate to attach the Jib to almost any professional tripod and a heavy-duty camera plate knob to mount the camera are also part of the Kit. Spring-loaded clips are included to keep gym weights safely on the weight bar. To increase reach, the Jib boom can telescope from 33 inches to 52 inches. The Jib weighs just over 9 pounds and will carry a maximum video or film camera load of 50 pounds at the 33 inch length. No tools are required to assemble.
This innovative Jib Arm will easily handle most professional film and video cameras. Gym weights may be used, or a sturdy folding Weight Cage accessory will hold anything you have for counter-weight: rocks, sand, even water! Jib can be set to automatically adjust the camera "tilt" or "Dutch" angles as you move. Features adjustable tilt and pan friction drag controls. Bubble level is on the yoke base. Camera plate is also adjustable for level. Dual bumpers are on the yoke base for protection.
Net Weight: 11.5 lbs. (5.21 kg) Including the Soft case
The portable PIX 240i is an essential companion for any production environment. It simplifies any production and post-production environment bringing edit-ready Apple ProRes or Avid DNxHD recording to SD/HD-SDI or HDMI-equipped video cameras.
The PIX 240i records Quicktime files in either Apple ProRes or Avid DNxHD video formats. Files recorded in these intra-frame codecs are ready-for-editing directly from the recorder. For color-critical applications recording to Apple ProRes 4444 provides uncompressed alpha-channel transparency for superb chroma keying and grading performance.
Extensive Video I/O
The video input on the PIX 240i has extensive compatibility with a wide range of cameras. It's BNC input accepts 12-bit 3G SDI (4:4:4 RGB or YCbCr), HD-SDI, SDI. Its HDMI input accepts high-definition and standard-definition video. With its 3G-SDI 4:4:4 input, recording to ProRes 4444 offers recordings that are perceptually indistinguishable from the original source material.
Frame Rate Converter and Scaler
The PIX 240i features a powerful hardware scaler and frame rate converter. Up, down, cross-conversion and pulldown removal give users the ability to record files in a customer-requested rate, even rates not supported by the camera. The PIX 240i also supports aspect ratio conversion, HD to SD and SD to HD.
Time Code Generator
The on-board high-accuracy Ambient time code generator makes the PIX 240i right at home on any production from simple single camera shoots, to complex multi-camera sync-sound productions. All common time code frame rates and modes are supported. Embedded time code over SDI and HDMI is also supported.